Both No Country For Old Men and Captain Fantastic uses elements of sound and visuals to engage the viewer with the characters, narrative and themes of both films. First of all, No Country For Old Men uses mise-en-scene, editing and camera angles to visually tell a story. This is evident in the final scene of the movie where we see Bell's retirement. It starts by slowly fading from the previous scene: Chigurh walking away from the crash and transitioning into Bell in his home looking into the distance. The editing makes it look like Bell is looking at him walking away and he doesn't do anything about. This is a recurring theme throughout No Country, that Bell is ineffective and can not stop this new wave of crime that Chigurh represents. Also the shot frames Bell at the center, aligning us with him and the transition preceding the scene seconds before could symbolise this is what Bell's thinking: that Chigurh escaping the crash represents him escaping justice and it is unset...
One way The Wrong Trousers engages its audience is through action codes seen in the chases scene. For example, when Gromit is chasing McGraw on the train it is fast paced and constant. More specifically, the background is constantly moving, which creates suspense and keeps the audience engaged with the scene because their is something always going on and reduces the chances of them being bored. Another reason the chase scene works as an action scene is the music and sound design. For example. the scene has score comprised of wind and string instruments. More specifically the use of violins creates a high pitched, shrieking sound to the scene, which gives the scene a tense tone and, by proxy, grips the audience. Furthermore, the scene cuts the music when McGraw flies off the tracks and goes back and forth between McGraw in the air and Gromit placing the tracks, which is fast and constant. This is done emphasise the suspense to see if they can stop McGraw, which is payed off when t...
HOW DAVID LYNCH TURNS THE ORDINARY INTO NIGHTMARISH One thing The Grandmother subverts from innocent to unsettling is childhood. David Lynch's creepy and imaginative direction gives the scene a nightmarish and unsettling tone. For example the scene where the mother is comforting the child turning into a intense scuffle between the two is demonstrated through the use of sound and editing. The cyclical echo of the scream progressing into a high pitch shreak is an unnerving and disturbing sound that perfectly matches the intensity of the scene; as the scream gets more and more distorted and intense so does the editing of the scene, using quick cuts between shots to emphasise the chaotic nature. This creates a intense and uncomfortable scene and maybe symbolic of Lynch's outlook of childhood. Maybe the mother gripping the child constantly maybe be displaying the parents hold on their children regardless of their intentions and the child is trying to break free of their control...
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